Families exploring cultural exhibits at the Museum of Fine Arts during Boston Family Days.
Boston’s notable museums, including the Children’s Museum and the Museum of Fine Arts, are relieved of their PILOT payments for fiscal year 2024. This change comes as part of the Boston Family Days initiative, which offers free entry to schoolchildren and their families. While this move encourages community access, concerns arise over the implications for financial contributions to the city. City Councilor Erin Murphy questions the decision’s transparency and future precedent, highlighting a need for clear guidelines on community benefits related to PILOT obligations.
Boston is buzzing with excitement as six of its notable cultural institutions are now off the hook regarding their Payment in Lieu of Taxes (PILOT) responsibilities. If you’ve ever strolled through the halls of the Boston Children’s Museum, gazed at contemporary art at the Institute of Contemporary Art, admired the elegance of the Isabella Stewart Gardner Museum, marveled at the masterpieces in the Museum of Fine Arts, explored the wonders of the Museum of Science, or experienced the charm of the New England Aquarium, you can appreciate this development.
This exciting news was made public last Friday when the city released its latest PILOT data. For years, these cultural gems have been approached about making PILOT payments, but for the fiscal year 2024, they are officially relieved from that burden!
So, why the sudden change? It all circles back to their participation in the Boston Family Days initiative. This wonderful program allows Boston schoolchildren and three family members to enjoy free entry to these museums on two Sundays each month. It seems the city decided that the positive impact of this initiative outweighed any cash contributions these institutions might make through the PILOT program.
Spokespersons from the Isabella Stewart Gardner Museum and the New England Aquarium have confirmed that their removal from the PILOT list indeed revolves around their contributions to Boston Family Days. This means a focus on providing families access to arts and culture rather than stressing over financial obligations.
To provide a little background, the PILOT program was envisioned to encourage institutions with tax-exempt properties valued over $15 million to chip in with voluntary payments that equate to about 25% of potential real estate taxes. Last year, Boston’s City Hall requested a whopping total of $128.79 million from PILOT payments, but only 76% of that was met. Ultimately, institutions coughed up around $34.85 million in cash, which seems rather limited when you consider the city’s budget needs.
Interestingly enough, the Mayor’s office has pointed out that these six museums contributed less than $500,000 in cash for the previous fiscal year. When you break that down, it equaled only 0.3% of the total PILOT funds collected. Emma Pettit, a spokesperson for the Mayor, emphasized the city’s goal to expand access to cultural opportunities for Boston residents, demonstrating that sometimes, less is indeed more.
For comparison, the three remaining cultural institutions—the Boston Symphony Orchestra, GBH, and Longwood Collective—did meet their full PILOT payment obligations last year, amounting to around $396,734 in cash alongside contributions related to community benefits. This illustrates a stark contrast in how different cultural institutions manage their responsibilities.
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